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In this clear and structured volume, Richard Lane outlines: the history of Canadian literature from colonial times to the present key texts for Canadian First Peoples and the literature of Quebec the impact of English translation, and the Canadian immigrant experience critical themes such as landscape, ethnicity, orality, textuality, war and nationhood contemporary debate on the canon, feminism, postcoloniality, queer theory, and cultural and ethnic diversity the work of canonical and lesser-known writers from Catherine Parr Traill and Susanna Moodie to Robert Service, Maria Campbell and Douglas Coupland.
Canadian Romanticism and pastoral writing. Prose fiction and the rise of the Canadian novel during the eighteenth and nineteenth centuries. Gender and social transformation in the First and Second World Wars. The World Wide Web provides in many ways the logical medium for the global circulation of world literature, and many websites now enable readers around the world to sample the world's literary productions.
Finally, globally oriented authors themselves are increasingly creating work for the internet. What texts count as world literature is debatable. While some argue that a work's exemplary artistic value and influence allow it to enter the canon of world literature, many scholars of world literature point out that literary quality is not inherent nor influence universal or lasting; rather, standards of quality are relative and vary among communities and across space and time.
As the scholar David Damrosch writes, "Over the centuries, an unusually shifty work can come in and out of the sphere of world literature several different times; and at any given point, a work may function as world literature for some readers but not others, and for some kinds of reading but not others. The shifts a work may undergo, moreover, do not reflect the unfolding of some internal logic of the work in itself but come about through often complex dynamics of cultural change and contestation.
Literary History in English | The Canadian Encyclopedia
Very few works secure a quick and permanent place in the limited company of perennial World Masterpieces; most works shift around over time, even moving into and out of the category of 'the masterpiece. Thus, rather than gauge a work's worthiness as world literature on its inherent quality or lasting influence, many scholars assert that what makes a work world literature is merely its circulation beyond its country of origin.
For example, Damrosch states, "A work enters into world literature by a double process: first, by being read as literature; second, by circulating out into a broader world beyond its linguistic and cultural point of origin. From Wikipedia, the free encyclopedia. This article has multiple issues.
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London: K. Third edition, ed. Martin Puchner et al. Princeton: Princeton U. DeBevoise, Harvard U. Spivak, Death of a Discipline. What Is World Literature? Princeton University Press.
This truly is a fresh and lively reading of the theoretical scene, offering inspirational insight for beginners and more experienced critics alike. A one volume account of over years of literary criticism that manages to be both informative and readable. I will recommend it to all my students.
She is general editor of Angelaki: Journal of the Theoretical Humanities. Her publications include Postmodernism: What Moment? Convert currency. Add to Basket. Book Description Condition: Brand New. Printed in English. Excellent Quality, Service and customer satisfaction guaranteed!.
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